Ju ming sculpture bruxelles

He was nominated a master craftsman. He moved toTungshiao and opened his own workshop and recruited apprentices. He worked with wood but also uses bronze, ceramic, steel. He sold his sculptures in Taipei, Keelung and Kaohsiung. He married Chen Fu-Meia young woman from his hometown whom he represented.

Ju ming sculpture bruxelles: Ju Ming was a Taiwanese sculptor

Due to the lack of business knowledges, his company went bankrupt. He received t he Award Sculptur e at Art Taiwan He became a student of Yuyu Yangqui who taught him modern sculpture. His first exhibition at the National Museum of History was a success. He exhibited at Central Museum inTokyo. His Taichi woodcarvings series won critical acclaim in Japan.

He left his wife and children to move to the United States. He settled in New York where he created his series Living World. During his first exhibition at Max Huchinson gallery in New York, all his works. Therefore, his fame became international : Taiwan, Singapore, and Hong Kong. Japanbut also the United Kingdom and France. To store his work, he planned to build a museum in Chinshan, Northern Taiwan.

It took him twelve years to complete it. He added 20 new sculptures : Taichi Arch to complete his Taichi series. He exposed Living world series - Armed forces workssculptures commemorating. He was the winner of the 18th Fukuoka Asian Culture Award. He further started to develop his innovative techniques and explore different artistic approaches.

Ju Ming became well known in the West during the late s and early s with pieces visible in England, Paris, and Luxembourg.

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However, inJu Ming ceased almost all of his international activities, vanishing from the global art scene. Ju died by suicide on 22 Aprilat the age of Imprisonmentthe sculptural set created in The piece is made by stainless steel. Sculpted with Ju Ming's signature style, blocky and minimalist, the figures are reduced to the basic forms intentionally to embrace the inner spiritual qualities within the human bodies.

The sculpture consists of steel cages and inside is two life-size figures carved in Styrofoam facing each other.

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The title of the series Living World suggests that the works are based on the artist's observation and reflection on people's contemporary life. The sculptures are the depiction of the world where people situated within. These are the examination of the human figures and even further reveal what are inside the human forms. Unlike the previous Living World series that the human figures are in different shades of colours, Imprisonment ' s colour palette is narrowed down to black and white monotone.

Black-and-white usually associates with opposite meanings. It also forms a pair in a number of contexts through cultural history. In Ju Ming's work, the White symbolizes the goodness as opposed to the Black associates with viciousness. The monochrome in Imprisonment can simply be viewed as the connection with the classic black-and-white striped on prisoner's uniform.

However, it also connotes the Chinese yin-yang philosophy that good and evil within the human nature in fact are interrelated to one another. In Ju's concept, there is no existence of pure innate good and pure innate ju ming sculpture bruxelles. Human kinds are combination of two qualities. One's value as a person is rooted in one's very self.

Good and evil, black and white, could be interconnected or interdependent. The choices people make in their life define their qualities. Through the sculptural set which symbolizes the ideas of "imprisoning others, being imprisoned by others, and self-imprisonment", the artists demonstrate that the subtle distinction between freedom and limit are in fact controlled by one's thoughts of imprisoning.

The figures inside the cage eventually could have freed themselves. The scenario shows that people are in fact self-imposed to be locked. Though life is more complicated and interconnected and cannot be simply defined to binary choices; the artist just tries to point out that lock or unlock, freedom or limit, good or evil are actually done by human's own choices.

Ju Ming used the literal and external form of a cage to represent the inner spiritual dimension of the idea of restraint of men. With the physical presentation of limit of freedom, Ju wants to point out that the invisible prison in our society. These prisons could be the norms of culture, the laws of institution, the confined architectural spaces of urban city, the curriculums of education, as well as the deep, rooted system thinking of humanity as whole.

Ju Ming reproduced the humanity's cages and exploring our relationships with the cages we build. Ju Ming with two of his works at an exhibition of his sculptures at Place Vendome in Paris, France on December 4, Photo- Getty. It was then that he learned the basics of painting and sculpture under his teacher. He received critical praise for his Living World series titled Imprisonmentwhich explored themes related to spirituality through imagery of cages and confinement.

A stunning and pristine open area of oversquare meters 12 hectaresthe park has scenic views of the ocean and mountains.

Ju ming sculpture bruxelles: Ju Ming (Taiwanese, b) was born

Over of his own work is displayed in this museum that he spent 12 years of his life and all of his life savings to build. We are grateful for Ju Ming and his sculptural work that continues to bring so much light and wonder into our world, and transcends generations. Recently, a member of our editorial team picked up a picture book in Taiwan that helps to capture his story in a way that young children can learn about his art in the early stages.

It was highly successful and he was named as one of the Ten Outstanding Youths of In the s Ju continued to gain international acclaim and exhibited abroad. These bright figures are made of bronze, stainless steel, painted wood and foam rubber cast bronze giving him the freedom to depict the human form in all its varieties.