Raynor carroll biography of donald

When we did the 6 th in Venezuela, it was too big, so the crew took it apart for the trip, then nailed it or screwed it back together when we got there. I love those. I remember the first time you guys used them in Disney Hall, and you could literally feel the sound in your chest when you hit them.

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They never were the right sound, though. Finally, soon after we moved to Disney Hall, a donor donated the money to purchase the bells and we finally had the right instrument. It makes a big difference. New York has them. A few years ago, we did a short West Coast tour with Gustavo [Dudamel] and we did Symphonie fantastique. In other words, we sampled our bells and we played it electronically on a keyboard.

There are a lot of pieces with iconic percussion parts, but that one struck me more than any other. There were like six or so percussionists on stage that night? RC: Six? You want to double that? More like twelve! In fact, thirteen if you count the conch shell. CKDH: Yikes! Had you played it before that performance? RC: Nope. I had heard of it, but never actually played it.

It was cool.

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Still one of my favorites. A fun piece to play and a great piece of music, fun for the audience too. In those days, you were literally as far away from the audience as any orchestral player could be. Now, not so much. RC: It was huge. Prior, we used to say the orchestra sounds best on tour. Before that we had nothing. All of our instruments were stored in trunks, and backstage at Dorothy Chandler, you had all these trunks laid out and we had to put our instruments in there after every service and performance.

It was kind of a drag. This site uses Akismet to reduce spam. Learn how your comment data is processed. Menu Skip to content. The first half of the interview is below, and part two will be published tomorrow. I started playing in the Boys Club band and throughout junior high school and high school. CKDH: What high school did you go to?

RC: Yes. I surprised myself. CKDH: How similar or different was the audition you took compared to the auditions today? Just to give you a breakdown of what happens: A month ahead of time, I get music from the library. So I mark up all that, put them in the folders, and give them to the guys. Now, there are good pieces, and there are bad pieces.

CKDH: There are a lot of cool works featuring solo raynor carroll biography of donald with orchestra, and there have been some great musicians that have come through to play those solos: Steven SchickEvelyn Glennie, Martin Grubingerto name just a few. I just love sitting in the back and playing, doing my part. Other principals and section players might enjoy, from time to time, being a soloist.

I had my one chance this year. Once every five years or so is fine. When I was growing up, when you were preparing for an audition or working on a piece for school, there was no material and it was hard to get the music back then. CKDH: And what is the next phase of your life going to be? It sounds like some Batterie Music, some travel.

We recently redid our yard with drought tolerant plants, and I enjoy working in the yard. I actually made my wife a garden bench and garden table. I never really worked with wood before and it was a lot of fun. Another part is researching family ancestry. Can we talk a little bit about your successor? CKDH: You can obviously relate to him in some ways: being a local boy, growing up with this orchestra, and all of a sudden becoming principal in your 20s.

RC: Oh yeah. You cannot believe how excited myself and my wife were when we heard that he got the gig. She remembers one of the first times he came to our house for a lesson. I think he had just finished college and I think he was at a junior college at the time, before going to USC. And he came for lessons for a summer. He had his backpack on, full of mallets and music.

What have you got for me?! Do you remember the movie Upthe animated movie that came out a few years ago? The years would pass, he was at USC and then he went back east, he would still come and have a lesson here and there when he was in town. He was focused. He was always very focused and knew what he wanted to do. It reminded me of how I was like many years ago.

RC: We had lunch a month or so ago, and there was some advice I gave him about this, that, and the other. CKDH: Shifting gears a bit. So I think exposure is the important thing.

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Happy 99th Birthday to the legend Roy Haynes! Happy Birthday to John Roesch! John is a professional foley artist that has worked in the film business for over 30 years. During that time, he, along with 3 other peers, created a short film called " Indian Magic is What You See". As fate would have it, a fellow filmmaker asked if he could "help" with the sound on the film she was working on and that was his first taste of foley and he never looked back from there.

He still loves his job to this day. He credits much of his success to those he has met along the way. Happy Birthday to Leigh Howard Stevens! The influence of Leigh Howard Stevens extends beyond the marimba technique that is forever linked with his name. He is a performer, educator, composer, publisher, and inventor, as well as a successful entrepreneur.

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