Rod steiger movies the kid

Read all. All All. Sign In. The Kid 1h 30m. Drama Sport. Director John Hamilton. Seymour Blicker. See production info at IMDbPro. Top cast 21 Edit. Jeff Saumier Jimmy Albright. Jason Tremblay Ryan Albright. Jane Wheeler Doreen Albright. Mark Camacho Dan Albright. Tod Fennell Russel Conroy. Ray Aranha Cappy Dover.

Rod steiger movies the kid: A young boxer who

Rod Steiger Harry Sloan. Well they never went away. They're just coming back stronger because the greed finally ran into a wall, and what proved it was all these small independent films getting nominations and winning awards where all these multi-million dollar films did nothing, and that really shook them up. I would always say the bigger the budget, the less imagination.

In the old days, they had designers who, if they had to create a battleship, would get a bit of net and a bit of board and make one. Now there is no imagination. If they want a destroyer now, they ring up the government and get a real one. There aren't any challenges any more; they're home decorators. Richard Harland Smith of TCM notes that Steiger's career was waning at the time, and he had to "scramble for paying gigs for a decade" before getting this part.

He read Edward Lewis Wallant's novel and the script many times to develop an intimate understanding of the character, and insisted on reducing his lines to make his character more realistic and alienated from society. I explained that this solitary Jew could not rise to heights of emotion; he had been hammered by life and by people. The faith he had to find was in other people, because God had betrayed him.

Steiger remarked of the film: "I think my best work is in The Pawnbroker. The last scene, where I find the boy dead on the street. I think that's the highest moment, whatever it may be, with my talent. Cecil Wilson of the Daily Mail wrote that Steiger's character "seems to encompass all the agony ever inflicted on man". InSteiger played an effeminate embalmer in Tony Richardson 's comedy The Loved Oneabout the funeral business in Los Angelesbased on the short satirical novel by Evelyn Waugh.

Steiger had intended returning to the stage, and had signed on to play the title character in Bertolt Brecht 's Galileoat the Lincoln Center Repertory Company in Aprilbut the rod steiger movies the kid was cancelled when he became ill. He played a Southern police chief searching for a murderer. A stereotypical Southern racist, he jumps to the conclusion that the culprit is Virgil Tibbs Poitieran African-American man passing through town after visiting his mother, who later turns out to be an experienced homicide detective from Philadelphia.

The film deals with the way the two men interact and join forces in solving the crime, as Steiger's Gillespie learns to greatly respect the black man he initially took to be a criminal. Murphy of Variety described Steiger's performance as "outstanding", writing: "Steiger's transformation from a diehard Dixie bigot to a man who learns to respect Poitier stands out in smooth comparison to the wandering solution of the murder.

The film and Steiger's performance were critically acclaimed, with Vincent Canby of The New York Times highlighting Steiger's "beautifully uninhibited performance as a hammy", [ ] and a writer for Time Out describing him as "brilliant as a sort of Boston stranglerson of a great actress who has left her boy with a mother fixation". Steiger was cast as a short-tempered tattooed man with soon-to-be ex-wife Claire Bloom in the science fiction picture The Illustrated Man The film was a critical and commercial failure, [ ] and Ray Bradbury said: "Rod was very good in it, but it wasn't a good film It was entered into the Berlin International Film Festival and became the 19th most popular film at the UK box office in Steiger was offered the "rod steiger movies the kid" role in Pattonbut turned it down because he did not want to glorify war.

Scottwho won the Best Actor Oscar for his performance. Steiger called this refusal his "dumbest career move", [ ] remarking, "I got on my high horse. I thought I was a pacifist. Anatoly Efros wrote: "I watched with extraordinary respect, no, that is not the right word, with enthusiasm, the acting of Rod Steiger in the role of Napoleon in Waterloo", [ ] while literary critic Daniel S.

Burt describes Steiger's Napoleon as an "unusual interpretation", finding him less convincing than Plummer's Wellington. After the film's completion, Leone and Steiger were content with the final result, and Steiger praised Leone for his skills as a director. Steiger surpasses his own earlier records for lumbering busyness. Within his first few minutes on screen he 1 gets drunk, 2 whines, 3 pleads for understanding, 4 weeps and 5 goes to bed alone.

The following year, Steiger portrayed the comic actor W. Fields in an Arthur Hiller biopic, W. Fields and Mefor Universal Pictures. The screenplaywhich was based on a memoir by Carlotta Montiwho was Fields' mistress for the last 14 years of his life, was penned by Bob Merrill. Steiger read extensively about Fields in preparation for the role, and developed an encyclopaedic knowledge of his career and personal life.

He concluded that he would base his characterization around his performance in The Bank Dick Nervous that she might not approve, he broke down in tears after Monti met him after the scene and fondly said "Woody, Woody, Woody, My Woody", a nickname used only by those very close to Fields. Canby called it "dreadful" and described Steiger's portrayal of Fields as a "wax dummy of a character".

Stacy Keachwho portrayed Barabbasexpressed his joy at the opportunity to work with Steiger, describing him as "generous and opinionated". McLaglen 's war film Breakthroughset on the Western Front. Steiger bellows and weeps and overdoes absolutely everything. He won't even pick up the phone before it's rung 12 or 15 times. The Italian authorities reportedly banned the film inas it was considered damaging to the army, [ ] and it was not shown on Italian television until a state visit by Gaddafi in It received critical acclaim in Britain, where it was praised in particular for the quality of its battle scenes.

After his open-heart surgery inclinical depression and health problems during the s directly affected Steiger's career, and he often turned to B movieslow-budget, independent productions, and TV miniseries. He admitted that during this period he accepted "everything I was offered", and knew that many of the films he appeared in were not great, but wanted to demonstrate his strong work ethic despite his issues.

InSteiger starred as a detective assigned to investigate the murder of a Chicago psychoanalyst Roger Moorea man whom he detests from a previous case, in Bryan Forbes 's The Naked Face. Richard Christiansen of the Chicago Tribune referred to it as a "wimpy suspense movie shot in Chicago in the fall of[that] doesn't do much good for the city or for anyone connected with it", and considered Steiger to be "acting in his high hysteria gear", who "snarls and whines and overacts".

Perkins resented the fact that Steiger insisted on a bigger trailer and felt that Steiger was trying to steal scenes from him, while Steiger had thought Perkins "so jittery and jinxed by the chemicals he was taking" that he felt sorry for him and believed that he was jeopardizing the success of the film. Steiger addresses the camera as if he were reciting Shakespeare, he is truly, straightforwardly, hilariously bad.

He played a character based on King Duncanopposite John Turturro as Mike Battaglia Macbethwho plays a Mafia hitman who climbs his way to the top by killing Steiger's character. The film was critically panned, with Roger Ebert awarding it one star out of four, describing the concept as a "very, very bad idea". The film met with generally lukewarm reviews, though it was entered into the 41st Berlin International Film Festival.

Steiger, who had long been bald, was ordered by Howard to wear a wig to the audition. He resented the fact that Howard insisted on taping the audition, which he believed to be a form of humiliation for actors, serving as after-dinner entertainment for the Hollywood executives. Steiger never forgave Howard, whom he referred to as a "cocksucker", for rejecting him for the part and giving it to Cyril Cusack.

InSteiger portrayed an aging gynaecologist who terrorizes his urban neighbors in a rural community in Burlington, Vermont in The Neighbor. Dennis Schwartz considered it to have been one of Steiger's creepiest roles, though he thought that the poor script had rendered the role awkward and "mildly entertaining in the sense that Steiger is asked to carry the film and hams it up".

He reprised the role three years later in the sequel. Lee Sarokinthe judge responsible for freeing Carter.

Rod steiger movies the kid: Featuring Rod Steiger (The

Sarokin thought it was a "marvellous film" that was Oscar-worthy, but found Steiger's portrayal as overacted and a "little arrogant and pompous". After a minor role as a "bombastic priest" in End of Days[ 24 ] Steiger was one of the lead actors in Burt Reynolds 's The Last Producera film about a washed-up, veteran producer Reynolds who tries to re-enter the movie business by producing a new film.

Steiger was married five times: he married actress Sally Gracie —[ ] actress Claire Bloom —[ ] secretary Sherry Nelson —[ ] [ ] singer Paula Ellis — [ ] [ ] and actress Joan Benedict Steiger married until his death. They also purchased an apartment in Manhattan and a cottage in County Galwayclose to John Huston 's home. Steiger was outspoken rod steiger movies the kid of McCarthyism.

Steiger wrote a response letter, describing himself as "appalled, appalled, appalled," and saying that Kazan's actions had resulted in actors and writers being forced to drive cabs because they were blacklisted and even committing suicide as a result. Heston did not reply. Steiger suffered from depression throughout much of his life. He described himself as "incapacitated for about eight years with clinical depression" before his Oscar win for In The Heat of the Night.

He underwent open-heart surgery in and again in and struggled with obesity, [ ] though certain roles, such as Napoleon, required him to intentionally gain weight. He said of the experience: "You begin to lose self-esteem. You don't walk, you don't shave and if no one was watching you'd go to the bathroom right where you were sitting". He would lie in bed at night thinking, "You'll never act again.

Why bother? You're no good". He commented: "Pain must never be a source of shame. It's a part of life, it's part of humanity. Steiger died in a Westside hospital in Los Angeles on July 9,at age 77, of pneumonia and kidney failure as a result of complications from surgery for a gallbladder tumor. Steiger was one of Hollywood's most respected character actors.

Hutchinson described him as "one of Hollywood's most charismatic and dynamic stars". It's too easy to trade on success and forget that no performer can stand still. A product of the Actors Studio, Steiger is closely associated with method acting, embodying the characters he played. Writer James F. Scott notes that during his career, he "many times put aside his own personality to think his way into an alien psyche".

I don't like the term Method, but for the sake of argument method acting is a means to an end. It is something that helps you get involved in the part personally so that you can communicate with the audience. No matter what, the American actor of the fifties changed acting the world over. Montgomery Clift was perhaps the actor who started it, Brando caused the sensation and [James] Dean made it a cult.

Steiger was so devoted to his craft that during the s he turned to many foreign productions, especially in Italy, to obtain the sort of roles he desired, but often clashed with directors over his method acting techniques. Because that gets into your brain and therefore into your life, so to speak.

Rod steiger movies the kid: Jimmy Albright is a

And that's it, when somebody says to me 'I'll never forget', that's worth more to me than five Academy Awards, I'm in that person's life". Film writer Paul Simpson notes how closely Steiger prepared for his roles, and how he "effortlessly" recreated the mannerisms of figures such as Mussolini, in a "compelling take on an enigmatic figure".

I don't know how he does it. It's almost as if he gets inside the skin of the guy he's playing and starts being that person for a while". If I got a role which was similar to another I'd try to do it a little different. Despite Steiger's acclaim as an actor, he was frequently accused of overacting and won his share of critics, particularly during the s and s.

His acting was so dynamic at times that critics found him excessive and overbearing, [ ] [ ] and even uncomfortable or laughable to watch. Steiger ignored the director's concerns that he was mumbling his lines, and when he began chomping loudly on an apple during a scene with Gordon MacRae, Mamoulian exclaimed: "Get out of my theater.

Get out of my life! Steiger rejected these claims, insisting that he was merely "trying to take the medium of acting to as far as I can go, and that why I sometimes go over the edge". Several co-stars found working with Steiger difficult; Warren Oatesaccording to director Norman Jewison, viewed Steiger as "somebody who had a tendency to go over the top" during the making of In The Heat of the Night.

Aldrich stated: "Usually I lie awake at nights trying to think of ways to improve an actor's performance. With Steiger, the problem is to try and contain him". Annakin stated that he had "never known an actor to put so much thought and preparation into a performance" as Steiger. Contents move to sidebar hide. Jimmy Albright is a young athlete with a passion for boxing.

His mentor, Harry Sloan, an aging trainer and former boxer, sees Jimmy's potential, not only as a boxer but as a young man. With Harry's guidance, Jimmy trains and fights his way to the top of his division. All things appear to be on track, except for one small twist: Jimmy's parents, Don and Doreen, don't know he's a boxer Drama Family Action.

Rod Steiger carries the film while the kid, Jeff Saumier, connects the dots of acting. Add film to your diary? Watched on. Contains spoilers A moderator has locked spoilers for this review. Tags Press Tab to complete, Enter to create. Lex Kenneth Glegg Referee Jean Thenistor Pascal Andy Jordan Rest of cast listed alphabetically: Serge Martineau Ringside Doctor uncredited Produced by Martin Dufor Stunts Jean Frenette Steiger Yvan Labranche Simon Bhatty Kim Phuong Duong Marie-Claude Fortin Getting Started Contributor Zone ».

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